I have seen the term bend down a very small number of times, and it slightly confused me, but I let it go, since it didn't seem to happen often or make much difference. One person did say that he bent down sometimes when it was easier to do so for him without disturbing other strings. Ok, but today, in going through Johnathon's class, he specifically said bending up 1/2 to the Gilmour note when on the low e string and then bending down 1/2 when doing the note just outside the pentatonic scale on the G string. Does direction of bending matter in terms of getting the right pitch or is it just easier in certain places to do it one way or the other? I could see high E and low e bending down on high E and up on low e because you don't want the string to come off the fretboard, so is that really on the only reason, or is there a little more to it?
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DeafBlind Renee
I have seen the term bend down a very small number of times, and it slightly confused me, but I let it go, since it didn't seem to happen often or make much difference. One person did say that he bent down sometimes when it was easier to do so for him without disturbing other strings. Ok, but today, in going through Johnathon's class, he specifically said bending up 1/2 to the Gilmour note when on the low e string and then bending down 1/2 when doing the note just outside the pentatonic scale on the G string. Does direction of bending matter in terms of getting the right pitch or is it just easier in certain places to do it one way or the other? I could see high E and low e bending down on high E and up on low e because you don't want the string to come off the fretboard, so is that really on the only reason, or is there a little more to it?
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